Electronic Animism, Cosmic Diplomacy, Sonic Fabulation, Blasted Landscapes / Abundant Futures & Field Study.
Over five chapters unfolding a plurality of sonic expressions, imaginaries and thought, YNK (for You Never Know) interrogates relations to nonhumans, nature, bodies and matter.
YNK is part of SAVVY Funk, an iteration of Every Time A Ear Di Soun, a documenta 14 Radio Programme, and was broadcast live from the Berlin project space SAVVY Contemporary in-beween June 17 and July 7, 2017 (on FM, on short waves and online). SAVVY Funk was conceived as a 24/7 radio-programme shaped by eighteen artists. For it, the spaces of SAVVY Contemporary were transformed into a radio-station, an open studio and a platform where audio material and sonic content was produced live during twenty-two days. Curators: Bonaventure Soh Bejeng Ndikung, Marcus Gammel, and Elena Agudio. Further reading and detailed programme here
COSMIC DIPLOMACY
YNK #2 + #7 A conversation with Dipesh Chakrabarty in two parts
YNK #2 + #7 A conversation with Dipesh Chakrabarty in two parts
(part 1)
(part 2)
Dipesh
Chakrabarty is a historian, born in Calcutta and currently living and
teaching in Chicago. In his work, he has challenged the concept of a
Eurocentric historicism from a post-colonial and subaltern studies'
perspective. His engagement with the idea of the concept of the
Anthropocene has become a key starting point for rethinking the
humanities in the era of anthropogenic climate change.
In the first part of our conversation, we discussed the concept of the Anthropocene, about sustainability versus habitability, about invasive, dominant and companion species, about the human sense of drama and the human sense of time in the era of climate change. In part two, we explore some of these topics further, through the prisms of ancient and new religions, the growth track of humanity and towards the necessity of a new imagination.
In the first part of our conversation, we discussed the concept of the Anthropocene, about sustainability versus habitability, about invasive, dominant and companion species, about the human sense of drama and the human sense of time in the era of climate change. In part two, we explore some of these topics further, through the prisms of ancient and new religions, the growth track of humanity and towards the necessity of a new imagination.
YNK #14 A conversation with César E. Giraldo Herrera
César
E. Giraldo Herrera is a Colombian Biologist and Anthropologist
currently based in Oxford, where he is a Victoria Maltby Junior Research
Fellow at Somerville College. His research interests include
biosemiotics, the physiology of perception, environmental anthropology,
bicultural syncretism, craftsmanship and studies of science, technology,
and medicine. Departing from thoughts he develops in his soon to be
published book, with the preliminary title "Microbes and other spirits:
Crossroads of microbiology and Amerindian shamanism," we talked about
how departing from the concept of Decolonization of thought, the
knowledge of Amerindian shamans and animic communities shall be
reclaimed.
YNK #18 A conversation with Juanita Sundberg
SONIC FABULATIONS
YNK #1 Nýey by Islands Songs (remix)
YNK #1 Nýey by Islands Songs (remix)
Evolving around the motifs of creation, colonization, and metamorphosis of a territory, Nýey takes the island of Surtsey at its core. Having emerged off the coast of Iceland in 1963, Surtsey has been closed to the public since its birth. As the youngest member of the Westman Archipelago, the island can be seen as a window into the past of the older islands. Reciprocally, these older islands are windows into what Surtsey might be like in the future. Inspired by this approach of the island as a sort of 'time capsule,' Nýey investigates into Surtsey's assumed past, present and possible future.
Originally produced by Deutschlandradio Kultur / Klangkunst with the support of Du côté des ondes, Phonurgia Nova and the Surtsey Research Society. The piece was published by the Belgian label Unfathomless in 2015.
Originally produced by Deutschlandradio Kultur / Klangkunst with the support of Du côté des ondes, Phonurgia Nova and the Surtsey Research Society. The piece was published by the Belgian label Unfathomless in 2015.
YNK #5 Singing Microbes and other Spirits by Island Songs in collaboration with César E. Giraldo Herrera (live)
César E. Giraldo Herrera is a Colombian Biologist and Anthropologist currently based in Oxford, where he is a Victoria Maltby Junior Research Fellow at Somerville College. This Fabulation is based on thoughts he develops in his soon to be published book with the preliminary title "Microbes and other spirits: Crossroads of microbiology and Amerindian shamanism". Giraldo Herrera’s research intertwines biocultural and ethnohistorical approaches and demonstrates how the microbial world is within the reach of human perception and how shamanic practices optimise and articulate these experiences. Herrera elaborates critically on ethnographic theory and will show how animist/perspectivist ontologies are consistent with microbial ecology.
YNK #10 They own the night by Islands Songs in collaboration with David Mollin and Salomé Voegelin
David Mollin and Salomé Voegelin, both lecturers in Sound Arts at the London College of Communication, work together in a practice that focusses on invisible connections, transient behavior, and unseen rituals. For YNK they wrote and performed a text representing their engagement with the possibility of form, that of animals, their depiction and classification, and that of the voice that seeks to capture them but remains itself fleeting. This text is interwoven with a composition by Islands Songs, that departs from sounds by the Ocean Networks Canada, an initiative of the University of Victoria and union of ocean observatories.
YNK #20 Non a l‘ours, non a la bourse, non a la course by Olivier Lapert
The French artist Olivier Lapert tells us about Cannelle, the last female brown bear native to the Pyrenees.
BLASTED LANDSCAPES / ABUNDANT FUTURES
YNK #9 Lecture and Sounds
Coqui
frogs, alien trees and the colonial history of the Caribbean island of
Puerto Rico. With an extract of the book "The New Wild: Why Invasive
Species Will Be Nature’s Salvation" by Fred Pearce and sounds by the
Biologist Marconi Campos Cerqueira from the University of Puerto Rico.
YNK #12 Live set by Islands Songs with sounds from the Ocean Networks Canada, an
initiative of the University of Victoria and union of ocean
observatories
YNK #17 A conversation with Juno Salazar Parreñas & live set by Islands Songs
Juno
Salazar Parreñas is an Assistant Professor in Women's, Gender, and
Sexuality Studies at the Ohio State University. Her research speaks to
feminist science studies, environmental humanities, critical development
studies, and global political economy. Currently, she is working on her
first book with the title "Decolonizing Extinction: The Work of Care in
Orangutan Rehabilitation." In it, she examines the question of how to
live in the face of species loss and environmental displacement.
FIELD STUDY
YNK #6 Solega Song Cycles, a listening session with Samira Agnihotri
"Nothing
makes me more contented than walking a forest with a mike and
recorder." Samira Agnihotri is a Wildlife Biologist based in Bangalore,
studying the birds of the Biligiri Rangaswamy Temple Tiger Reserve (BRT)
in southern Karnataka, India, where she is currently pursuing Greater
Racket-tailed drongos. Those birds cohabit with the Solega people, whit
whom Samira collaborates for her research since many years. In this YNK
capsule we will listen to and talk about recordings made by Samira
Agnihotri and by the linguist Aung Si, with whom she has written an
article about Solega Ethno-Ornithology in 2012.
YNK #11 How Corals Think by Yannick Dauby
How Corals Think is a long-term project by the the French born and Taiwan based sound artist and musician Yannick Dauby. The porject is based on underwater recordings of the coral reefs around
the Taiwanese Penghu archipelago, that Yannick visits since about twelve
years. Its first chapter was a sound installation, shown earlier this
year at the Kaohsiung Museum of Fine Arts. The second incarnation of the
project premiers on YNK.
YNK #16 All Depends on the Sun by Islands Songs
Since
ancient times historical writings, scientific reports, and indigenous
myths have reported audible sounds that accompany the northern lights.
Recent studies suggest that these sounds occur during geomagnetic storms
and most likely do not originate from the visual aurora. Nonetheless,
the existence of these sounds has always been controversial. Driven by
the words of those who have encountered and/or studied aurora related
sounds, All Depends on the Sun delves into this phenomenon and opens wider reflections on sound and listening.
The piece was originally produced by the Creative Audio Unit of the national Australian radio broadcaster ABC, for Soundproof.
The piece was originally produced by the Creative Audio Unit of the national Australian radio broadcaster ABC, for Soundproof.
YNK #19 Walking with Bisons by Islands Songs in collaboration with Iégor Reznikoff
Iégor
Reznikoff, Professor emeritus at the Philosophy Department of the
University of Paris X (Nanterre), has worked in many fields related to
sound, music and acoustic archaeology. His work — encompassing
architectural and corporal resonance, sound therapy, ethnomusicology,
and ancient music practices — is credited with helping to create new
concepts and approaches in sound anthropology. Amongst other things, he
has worked extensively on resonance in Palaeolithic caves and caverns.
Walking with Bisons follows Iégor Reznikoff into the cave of Arcy in Burgundy, France, exploring natural resonances of painted caves and prehistoric rituals. The sound material stems in parts from Rockethouse Productions (Matt Thompson & David Hendy). The piece is followed by a collaborative sounding out of SAVVY's physical and radiophonic space together with Alberto de Campo and Hannes Hoelzl.
Walking with Bisons follows Iégor Reznikoff into the cave of Arcy in Burgundy, France, exploring natural resonances of painted caves and prehistoric rituals. The sound material stems in parts from Rockethouse Productions (Matt Thompson & David Hendy). The piece is followed by a collaborative sounding out of SAVVY's physical and radiophonic space together with Alberto de Campo and Hannes Hoelzl.
ELECTRONIC ANIMISM
YNK's
Electronic Animism" chapter explores animated imaginaries of fellow
musicians and sound artist. All shows are performed live from the SAVVY
Funk studio in Berlin-Wedding.
YNK #3 Echoes as Messengers by Yannick Dauby (played live by Islands Songs)
Echoes as Messengers
is an originally quadrophonic piece by the French-born and Taiwan-based
sound artist Yannick Dauby. In it, he explores the echolocation of
bats, more concretely the ultrasonic voices of the Japanese House Bat,
that he recorded in Taipei in 2015 and transformed with the help of
analog electronics and digital processing. For YNK Islands Songs
interpretated Echoes as Messengers and played it live from the SAVVY Funk studio.
YNK #8 Interspecies Crosstalk by Andrew Pekler (live set)
Interspecies Crosstalk
is an improvisational piece by the musician and sound artist Andrew
Pekler. His music and sound work is an experiment with found materials,
be they samples, instruments or genre conventions. In Interspecies Crosstalk
Pekler departs from insects sounds from South-East Asia. Those sounds
we received from Rohini Balakrishnan, ecologist and professor at the
Indian Institute of Science in Bangalore, where she works on animal
behaviour and acoustic communication.
YNK #13 Fortune Biscuit by Tomoko Sauvage (live set)
Fortune Biscuit
is an improvisational piece by the Japanese musician Tomoko Sauvage.
For many years, Sauvage has been investigating the sound and visual
properties of water in different states, as well as those of ceramics,
combined with electronics.
YNK #15 Native Instrument (Stine Janvin Motland & Felicity Mangan) (live set)
Native
Instrument is a sound collaboration bringing together the found
field-recordings archive of Felicity Mangan and the abstract vocabulary
of Stíne Janvin Motland. Mixing natural rhythms of birdcalls and bug
beats with digital effects and vocal imitations, Native Instrument
enlighten a sonic ambiguity between rural nature, electronics, and the
human voice. Their live set departs from sound putted at our disposal by
TERN, the Terrestrial Ecosystem Research Network Australia.
Special thanks to: Cédrick Anglaret - forever jingle; Philippe Charriot - forever mix; Nicolas Meunier - forever graphism; Katharina Wallisch - forever support and production at large;
YNK is produced with the support of the Cultural Fund of Südtirol.